Is it possible to use these LUTs to monitor my video feed on set?Ībsolutely! Many of our filmmaker customers choose to load the LUTs in their cinema camera or on-board monitor to preview different looks in real time on set. There is no difference in terms of quality or file type, you simply get all existing LUTs with the Master Pack. Our Master Pack bundles together all 10 Single Packs at a discounted rate, for users looking to purchase all 100 LUTs. Our Single Packs each include 10 LUTs in both. What's the difference between the Single Packs and the Master Pack? xmp files as they can be loaded directly into Adobe Lightroom. The .cube files are an industry standard format for video-post production, so these are the files most filmmakers will use. They can also be used on set to monitor your color graded footage in real time with any camera or field monitor that supports LUTs.Įvery single pack contains both. The LUTs are compatible with virtually every popular video editing and color grading software, as well as many photo editing applications including Adobe Lightroom. Which software are the LUTs compatible with?
Upon purchase you will receive a PDF that outlines exactly how to use the LUTs in many popular software platforms, including Adobe Premiere, Apple FCP X, DaVinci Resolve, Avid Media Composer, Adobe Photoshop, Adobe Lightroom and more!
Installing the LUTs in your editing software is extremely simple and only takes a minute to set up. In fact, we’ve even gone one step further to ensure that these looks are also universally compatible with footage shot during the day or night. Whether you are shooting RAW on an Alexa or compressed H264 on an iPhone, these cinematic LUTs will have you covered. Every single LUT is designed from the ground up to be compatible with footage from virtually any camera.
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